Wednesday, July 30, 2014

SweetKenny - "Ink!" Review

It's time for our 61st monthly CD review at the SMS (and last before factoring all local punk bands into our selections), as we're hitting the Sault Michigan area for the first time in over 8 months in this series, with this month's review being of Dafter hard rock artist Ken "SweetKenny" Sutton's eighth solo album "Ink!" Chosen over his newest album "This End Up" (which came out last month) for this review due to it's heavier material, "Ink!" came out on March 23rd, and was recorded over the preceding months at Waterfall Records. Featuring just Ken on vocals and all instruments, he describes this CD as a "heavy rock" fun album with freestyle playing, and you can buy it at CD Baby right now for $9.99 in mp3 format, $12.97 on CD, or 99¢ for each individual song, or on BandCamp for $12. The full album (which features full songs with vocals as well as instrumentals) can also be streamed for free on SweetKenny's website too, but support his work by buying it as well! A 10 song album running for about 48 minutes, let's begin this review with a look at the first song!

"Ink!" starts with "Shake, Shake, Shake!", which begins with the exclamation "Gee Mom, all the guys are doing it!" before launching into the actual music, and if you're familiar with SweetKenny's recent original work, the bluesy hard rock essence and riffing will fit right with your expectations. Catchy little number, Ken's Elvis-remniscent vocals return for this track, though the stop/start chorus vocals seem like a mood killer and don't flow with the surrounding verses. The song does meander a bit late, but Ken's guitar skill is on full display, and there's enough heavy action to go around to please fans! I just wish the choruses were livelier on average. Second is "Bridge to No-Where", a slower instrumental track that is reminiscent of a cleaner sounding Sykotyk Rampage, and while it doesn't reinvent the wheel from many of Ken's recent instrumental tracks, it has a very solid guitar melody, and the drum tracks are catchy for the backing rhythm! Very solid showcase of SweetKenny's range of musical talents, though the song admittedly feels more like a summer road trip song than one on the title bridge.

Third on "Ink!" is "This Is Not Where I Wantta Be", which is about a time in Ken's life when he felt trapped, only for God to save and help him. Despite the themes, this song is similar in musical style to much of his past work, aside from more reserved (yet lyrically strong) melodic singing. Deliberately paced, the song's structure can be a bit muddled, which contrasts the meaningful and impassioned vocals. Interesting track with a good personal message, but the previous songs seemed to be put together better on the whole. That's followed by "Burn Baby Burn", which is simply about "the things to come", though the song does feature more religious themes. Vocally, Ken's singing is more rangy and dramatic than we're used to seeing, which adds a different wrinkle, but it doesn't work too well on the shaky choruses. Muscially, it's a strong familiar composition with a constant melody, and the guitar work is a standout here! Another solid track, it should attract an audience too, but the somewhat forced singing may not be for everyone.

Song #5 is "It's All Because Of You", which is the only song on this CD to run for under 4 minutes. A song about a type of girlfriend that Kenny thinks most guys have had over the years, this has the most basic song structure yet, but it's to the point nature and direct lyrics should strike the right chord with many listeners! I like some of the vocal effects and layering, and the spoken word asides lend a lighter feel to this track that people in some types of relationships might identify with. Not the heaviest song on the album, but one of the more consistent, with a steady rhythm and melody, and it's one of the better early tracks! Sixth is "Squahanna Two Two Two Two", whose title is inspired by the 1939 Three Stooges short "Three Sappy People", and Ken provides some callbacks to the Stooges and the short with spoken word bookends. Otherwise, it's the second instrumental on "Ink!", though the song doesn't remind me of something that would fit the title subject matter, being another mid-paced bluesy hard rocker. Solidly performed though, with a good pacing, effective guitar and bass work, and a clear sense of it's purpose, so give it a listen!

Then we have "A Hard Habit (To Get Where I Want To Be)", which is about following your dreams and what God puts into your heart. By far the slowest and most reserved song so far on this album, Ken's freestyle playing style feels more muted here, and the somewhat dark tone contrasts the optimistic message, but it's nice to see some variance to his usual sounds, and his Elvis Presley-ish tone is put to good use for a song of this style! Not the heaviest track on "Ink!", but fans looking for something a little slower might enjoy "A Hard Habit"! The eighth song is "Up & Down", which fittingly, is about life's ups and downs. The longest track on the album, Ken self described it as "a great guitar song", and it is the disc's third instrumental. More of a return to form for Ken's usual freewheeling hard rock sounds, with nice rollicking drum tracks, and strong guitar licks, though like on some of his earlier material, the song does seem to trail off and go in many directions by the end. My favourite instrumental so far though!

The penultimate song on "Ink!" is "Secret Life", which is about wanting to leave a girl, among other related subjects. Drawn out slower vocals overtop of usual hard rock action, I really like the guitar on this song, which is melodic, varied, and provides some of Ken's best solo moments on this album! I enjoy the composition and heavier moments, but the vocals seem like leftovers from another unused song, and they don't fit well here. Aside from that, this is probably my favourite song on "Ink!" just on a musical basis, and it's a great way to show off Ken's skill! The CD closes with  "They Like It Naughty", a slightly longer instrumental whose title probably refers to the feel of the song rather than any absent lyrics would have. Honestly, the song doesn't feel particularly "naughty", but it does have another solid guitar solo, a familiar groove, and some nice creativity to give "Ink!" a solid cap to this album. I'd probably have liked to see this song played at a faster tempo, but fans won't complain otherwise!

So, what are my final thoughts on "Ink!"? I say it's another consistent effort from Ken Sutton's recently prolific solo discography, and it maintains a consistent trajectory from his last album that we reviewed ("Perception" from last year.) It does improve on some areas, having more songs with instrumentals, slightly shorter tracks, and there's a better balance of songs, so standout tracks like "Secret Life" and "It's All Because Of You" are spread out more evenly! Nothing seemed rushed either, but some songs did meander a bit in their latter halves, and there is a sameness to the themes and melodies of some that might give some listeners deja vu from SweetKenny's other recent albums with vocals. I also think Ken should try to better match his singing voice with the song and/or lyrics, as that wasn't always perfect upon recording. A slight improvement on "Perception", Ken's solo material remains strong, so give "Ink!" a listen for some bluesy hard rock freestyle action, and look out for his new album "Amazonian" later this year!

I hope you guys liked this month's CD review! Our next look at a SweetKenny album (likely of either "This End Up" or "Amazonian") is very possible for early 2015, but that's pending how his release schedule and our review schedule shapes up. Next month's review on the site will be of a new metal, hard rock, or punk album if released before month's end, but in case none does, we'll begin reviewing archive punk albums frequently in gaps on the calendar, so we can get up to speed on that side of the local album spectrum! For reference, we're leaning towards The Northern Tragedy's "Home Ice" EP if nothing new comes out in August, but that's tentative. Stay tuned for more soon, and for weekend concert previews tomorrow! Thanks everyone!

Another Local Metal Video Showcase!!

As an extremely busy July winds down, we have enough videos to do another local metal video showcase post on this Wednesday morning, so what's on tap? Recent concert videos of the public and private varieties from each side of the border, plus new footage from a pair of linked local artists, so read on below for what you need to know on these!

Video footage of Munising, Michigan metal quartet Infathom's Summerfest appearance outside of The Savoy Bar & Nightclub in the Soo this past Saturday can now be checked out online! Uploaded by attendee Michael Cole on Sunday (and joining his videos of Infathom's Nick Cam Jam set in our area last fall), he shot 21 videos during the concert, so what can be seen within? All covers, the videos (in rough upload order) include renditions of Puddle of Mudd's "She Hates Me", Black Sabbath's "Paranoid", Lit's "My Own Worst Enemy", Black Stone Cherry's "Lonely Train", Papa Roach's "Lifeline", "She Loves Me Not", and "Between Angels & Insects" (the latter two uploaded in one video), Three Days Grace's "(I Hate) Everything About You", Disturbed's "Down With The Sickness", Pantera's "Domination", Ozzy Osbourne's "Crazy Train", Creed's "My Sacrifice", Alter Bridge's "Open Your Eyes", Guns 'N Roses' "Sweet Child O' Mine", Bowling For Soup's "1985", Buckcherry's "Lit Up", Avenged Sevenfold' "Gunslinger", System of a Down's "Toxicity", Seasons After's "Gettin' Even", and A Day To Remember's "Right Back At It Again", plus a between-song jam, so click each link to see each performance!

Note that the Creed & Alter Bridge videos are also combined into one video, and followed each other likely due to the original bands sharing mostly the same lineup, sans lead singer. Better quality videos than we usually see from The Savoy just from the proximity to the band alone, these videos must capture the vast majority of Infathom's show, and their talent and chemistry is evident, though some songs sound a bit empty and tinny without a second guitar, and Dillion Semasky's vocals do tire on some more aggressive tracks.  Infathom fans (especially ones who don't see their full solo gigs often) will definitely enjoy these videos, so check them out above, and here's Infathom covering two Papa Roach songs!



Next up, remember how we shared two videos from a recent private metal concert on the site on Friday featuring out of town metal bands? Well, we can complete that July 21st trifecta, as a video of local openers AlgomA is now viewable via singer/bassist Marty Chase's YouTube channel last week (though AlgomA's own channel has it's own copy too.) Filmed at the exact same high angle as his Disabler & Bushwhacker videos, this captures AlgomA playing their newer original "Phthisis" followed by "Electric Fence", so click each link to go direct to that specific song! Just as intense as fans will have come to expect from AlgomA, the guys sound extra brutal and make the most of their familiar surroundings, though the audio remains a bit muffled. Check out AlgomA live at "Six Two OH" below!



We'll close today with two new videos featuring Pillory frontman Robert Sartini, including this clip of his newest band Shadowthrone playing a new original song! Uploaded to guitarist Sabrina Strange's YouTube channel last week, the song is entitled "Hatred Flows For The Harlot", which was also recently uploaded in audio form to the band's Reverbnation page. Though instrumental at present, intended lyrics are included in the info section on YouTube, and the song has a doomy groove to it at this early stage! The video's slightly grainy looking though, and you can't see much of Sabrina at this angle. Check out Shadowthrone's new song above and below!



Finally is Robert's newest solo guitar cover video, which is of another Putrid Pile cover, specifically their song "Food For The Maggots", as uploaded to his personal YouTube channel on Monday! Not explicitly labelled to his Gorrifier solo project (which appears to be original-centric), Robert described his equipment and tuning well in the info section, and remarked that he learned this song by ear. It turned out well, and it's got a nice brutal tone, sounding very close to the original track! Check it out below, and stay tuned for more news from his active projects as we hear it!



That's all for now, but stay tuned for this month's CD review in our likely next post! Thanks everyone!

Tuesday, July 29, 2014

Meet The (Inactive) Local Punk Bands!! Part 4

After a longer than expected delay, here's our fourth feature to roll in defunct and inactive local punk bands into our links and coverage on the SMS! We're 100% focusing on bands with surviving primary pages on PureVolume today, mainly as Bandmine turned out to be (more or less) an automated aggregator of bands rather than a proper band page host, while MySpace (a logical spot for some surviving pages) is extremely hard to navigate for local bands now due to their layout overhauls. We'll approach MySpace soon though! Now, here's 4 of our punk band discoveries from PureVolume!

First today are two linked mid-2000s punk projects, those being 2 Minute Warning (pictured) and Starlit Sins! Their lineups both featured guitarists Wes Greco & Andrew "Pooch" Pucci (who has some solo material), bassist Dustin Supak, and original Cherry Crush drummer Justin Marandola, while Ben Tulloch was 2 Minute Warning's singer, and current K.I.C.K. frontman Simon Shearsby replaced him with Starlit Sins. Both bands had live experience, with 2.M.W. (who launched in 2004) playing shows at venues like The Canadian Nightclub, while Starlit Sins played a memorable Roberta Bondar Pavilion set in August 2006 (their only publically active year.) No surviving material of either band is online to our knowledge, though 2 Minute Warning did record a 3 song demo of some type that, though visibly available to listen to on their page, doesn't work for one reason or another. For what it's worth, Starlit Sins' more detailed bio describes a negative fan response to Ben's vocals with 2.M.W., but take that with a grain of salt until/unless media becomes available.

It'd be interesting to find some working media of either 2 Minute Warning or Starlit Sins, especially to see what kind of talents the guys had, of whom largely are not currently active in local bands (Simon being the biggest exception.) If we ever come across music or videos of either, we'll let you guys know, but read their biographies and check out concert photos from both projects at the above links!

Next to add is Oceania, another punk band from around the same time period, roughly running from 2004-2005. Their lineup featured a singer & guitarist named Lawrence (unsure if that was his first or last name, but he was nicknamed "LaR") alongside bassist Nick "Dilbert" DiLabio and Northern Rocks Magazine/Laris Records founder Chris Rancourt on drums. Basically successors to Lawrence and Chris' 2003 project Slow Motion Theatre, the members of what became Oceania formed the band after joking about playing a Green Day tribute show, and got their first bookings on that basis, but soon added original material. Oceania (whose name came from the book "1984") played at least two shows at The Oddfellows Hall in 2005, including a set opening for Take One For The Team that July, though aside from efforts to win the Ernie Ball Battle Of The Bands, no public updates are known to have followed. Like 2 Minute Warning above, Oceania's three songs on their PureVolume page don't work, but there is still a song of theirs around to give a listen to!

As uploaded to their BandSpace page, a live acoustic version of their song "Picture, No Sound" is streamable there, and while it's not indicative of the full band's sound, Lawrence has a nice sound and tone, though his clean vocals often sound a bit too reserved. At least we have a taste of how Oceania sounded, but hopefully more media from their run turns up at some point, so be sure to check them out as well above!

Finally for today's defunct punk feature is Portable Glory, whose page doesn't tell us much, but were recently brought to fans attention when current punk trio The Northern Tragedy revealed on their Facebook page on May 8th that two members of their lineup were in that band! I'm thinking the two common members are singer/drummer Terrence Gomes and guitarist Mike Ivany based on the similar vocals and lack of audible bass, but if I'm wrong, I'll correct this for sure! I'm unsure when exactly Portable Glory were together, but they weren't around very long, and I assume they predated Terrence's larger work with bands like Good Morning Gorilla and Changing Waves, so I'd guess the mid-late 2000s. Four working demos (intended for an album named "Sock Puppets & Knuckle Heads") can be heard on their PureVolume page, and while the recording quality isn't great, and their lineup definitely needed to be filled out, I wouldn't hold it against fans to think these were Northern Tragedy demos, as they have similar sounds and melodies! Unrefined, but give Portable Glory a listen above!

I hope you guys liked this newest punk band feature, and I hope our next one (which will cover remaining PureVolume punk bands like Fuller, and perhaps more) will be up later this week! That's all for now, but stay tuned for this month's CD review and more in the coming days! Thanks everyone!

Monday, July 28, 2014

Saultites In Out Of Town Bands Profile: Public Animal

Before we get into this month's Saultites In Out Of Town Bands Profile, I wanted to state that, while I am aware of the unfortunate ending to this month's band's local concert at The Rockstar Bar last month, we won't acknowledge the show in this month's profile, out of respect to both the band & venue. I don't want to take sides on the matter, especially as I wasn't in attendance to offer a real opinion on it.

Now, this month's Saultites In Out Of Town Bands Profile continues our ongoing monthly feature series looking at a band that's based out of our area, but features a past or present Saultite in their lineup! Our last profile in this series before adding full punk bands into our selections, this month's band has achieved a solid following, and features a familiar face on drums, so read on below for this month's profile, and check out our Sault Michigan-heavy post from this afternoon in the post below this one!
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Public Animal (Toronto, Ontario)

Lineup: (Saultites in RED)

Ian Blurton (vocals/guitar)
Eric Larock (bass)
Ryan Gassi (drums)
Caitlin Dacey (keyboard/vocals)

Official Facebook page: http://facebook.com/thepublicanimal
Official Bandcamp page: http://publicanimal.bandcamp.com
Official Twitter page: http://www.twitter.com/thepublicanimal
Official YouTube channel: http://youtube.com/thepublicanimal1

Local Info: The Public Animal's only local member is drummer Ryan Gassi, who achieved a strong local notoriety in the late 1980s and early 1990s from his work with bands like blues rockers The Rhythm Rats and punk favourites The Kite Eating Maples. As featured in this SooToday article last month, Ryan later moved to the Toronto area, where he drummed for bands like Scissors For Erica, Memory Bank, and The Lying Cheats before joining Public Animal (his heaviest band yet) last year.

Band Bio: Named after an Alice Cooper song, Public Animal formed in 2012 before making their full public launch last year. Fronted by former C'Mon frontman Ian Blurton (who local fans may remember from a LopLops Lounge gig in 2011), Public Animal picked up where their predecessors left off, playing a number of notable concerts in Southern Ontario and beyond since mid-2013, including memorable Canadian tour dates in 2014, and sharing the stage with the likes of Cross Dog, Diemonds, and USA Out of Vietnam since their launch. Releasing their first full length CD "Habitat Animal" last month, Public Animal have also released assorted demo EPs and split albums since a pair of June 2013 releases, counting a Deep Purple tribute split with Peterborough rockers Mokomakai among them from this past April. Recently finishing another national headlining tour, the band are currently planning another CD, and further live concerts.

Memorable for their loud live concerts, Public Animal bring an engaging classic hard rock sound to the table, which mixes aggression with retro influences, and neat trade-off vocals from Ian and Caitlin that can often give the impression of a band that would have fit right in with the mid-1970s rock scene! With entertaining riffs, solid drumming, and gritty vocals from Ian, Public Animal's sound fits their name, and it will be interesting to see where they go in their future projects! Be sure to check out their albums at the above links, plus their array of live videos, and here are the guy playing their song "Automatic Ammunition" in Toronto last summer!


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I hope you guys liked this month's Saultites In Out Of Town Bands Profile! Next month's (hopefully not delayed) installment will likely be our first in a string of punk band profiles now that they're in our official coverage, so who's up first? The Fairmounts, the active Toronto punk band fronted by prolific local punk musician Mikey Hawdon! Watch out for that on or around August 26th, and for the curious, look for a "hardcore homecoming" in this series in September! That's all for today, but stay tuned for more news and this month's CD review this week! Thanks everyone!

Theatre of Night Updates, The Highest Of Fives' New Video, And More!!

After a day off, we're back with some big news today, and while we're focusing mostly on Sault Michigan, there is a shorter note relating to a Sault Ontario band's upcoming t-shirt plans. Among others, we also have a new video to take note of, and first, some long overdue news and updates from a talented regional band, so here's what you need to know!

Remember how Sault Michigan classical metal band Theatre of Night have recently been overhauling their online pages, which coincided with a de-emphasis on older material and drummer Greg Giles' sudden departure? Well, there's more to outline now, so here's what's been going on in their camp! New Theatre of Night pages and websites don't include the past art styles used in their media, which were largely Greg's work, and he's now compiling and featuring them as part of his new artistic company Giles Arts. Surviving regional T.O.N. members Craig Harrison & Steve Giles remain hard at work with the band, remodeling their website again, where they're readily referencing their "Christmas Night" and "The Dawn's Early Light" albums again, even offering free downloads of the latter! A release of their full song "The Killing" featuring Italian singer Ida Elena DeRazza is still planned (likely for this weekend), while their website now includes links to Craig & Steve's own artistic work, plus this interesting "behind the music" feature where Steve remarks on "The Dawn's Early Light".

Aside from retroactive mentions there and in their biography, the new website doesn't mention Greg too much, but he's staying busy with Giles Arts, which encompasses his work in photography, music, and other areas. Though his music work with End of Existence and Theatre of Night is acknowledged therein, Giles Arts (who are now in our "Other Local Metal Links") will also cover a new side project that Greg has yet to announce, so we'll have to see what comes of that! A new Theatre of Night E.P. is still in the works (likely still featuring Gaby Koss on vocals), while assorted newer songs have been posted on their Reverbnation page in recent days, including (but not limited to) the fast and heavy "Hellride", a "Metal Mozart" concerto, and a live version of the dramatic "The 11th Hour" with Craig and Steve's fellow I.S.O.M. alumnus Bart Rennels on guest drums. In terms of YouTube, it looks like all of the postings on their YouTube channel have sadly been either privatized or deleted (for what it's worth, the channel now links to Giles Arts rather than the band itself), but they now have a new active channel, so what's been uploaded there so far?

A mixture of things we've previously seen on Facebook and new uploads, but mostly surrounding recent studio sessions over the past month, so click here to give them a look! Mostly, these are straight jam session videos, with filming done by Electric Motor Fish alum Fran Blackwood, while Sault Realism's Eric Demaray is credited for guest appearances. Interesting fish-eye view of the sessions on most of these new clips, with the guys working well on these newer instrumental tracks, and it will be very interesting to see where things go from here! See above for Theatre of Night's newest uploads, and here's a 12 minute studio session video!



Also today, here's the newest video upload from Sault Michigan hard rock collective The Highest of Fives! In a short break from their recent "Bang!" short film postings, they posted this music video of their previously-uploaded song "Take My Time" from the upcoming "Bang!" album onto their YouTube channel, so what's to expect here? Directed by drummer Devin Anderson with singer Travis Theel receiving co-production credit, The Highest of Fives' in-video lineup features Devin alongside singer/guitarist Mitch Goetz (recently of The Bottom Line) and bassist Marcel Grengs (albeit out of his Crusty Puck character.) Like their other recent videos, this is very well shot, with performance footage, shots of Mitch singing in some very nice looking nature scenery, and even some interesting shots of what appear to be Chinese drummers (apologies if I labelled them wrong.) A light modern rock song with a nice melody, it's good to see the band continuing work on their upcoming album and original tracks, so check the full music video out below!



Finally for this post, here's three assorted shorter news stories from the last little while! As usual, these are in alphabetical order by artist name:

  • Sault Ontario death metal standouts The Bear Hunters are planning to release their first official band t-shirts as part of the early planning for their "Eternal Hibernation" CD release party, and with that, are looking for input as to what sizes to make for interested fans, specifically if they should make shirts smaller than medium or larger than extra large. Voice your opinion at this link!
  • Sault Michigan metal band One Hour Till Dawn (formerly The Eleventh Hour) have changed their name once again, this time to When All Fell Silent. A reason for this newest name change hasn't been revealed, but it quietly happened yesterday morning. We haven't heard from the guys (aside from the name change) since February, but hopefully they have some more news coming soon!
  • This is admittedly overdue, but I've promoted Sault Michigan concert venue The Savoy Bar & Nightclub to our active concert venue listings on the site, mainly due to their ongoing Summerfest series of concerts, featuring a number of regional hard rock bands (with that, I also updated their link to change it to their current active Facebook page.) Don't miss Plastic there this weekend!

That's all for today, but stay tuned for this month's Saultites In Out Of Town Bands Profile in our next post! Thanks everyone!

Saturday, July 26, 2014

LOCAL CONCERT ALERT (Gnaeus), New Blood Shed Productions Videos, And More!!

Here's another auto-post for you guys on this Saturday afternoon, and for the curious, this month's Saultites In Out Of Town Bands Profile IS coming, but I've been very busy this weekend, so I imagine it won't get posted until tomorrow or Monday. It's not forgotten! Today, we have new videos and some assorted notes, but first, here's a SHORT NOTICE LOCAL CONCERT ALERT for TONIGHT!

Newer local post-punk/alternative quartet Gnaeus will be rocking The Rednecks Saloon TONIGHT! Apologies for the short notice, this show was only just confirmed yesterday. I believe this will be their first concert set since Lopstock (and their debut at the former Nicolet Tavern), and it should be interesting t see how they indie/punk sound fits in tonight! They'll be opening for local acoustic rock trio K.I.C.K. (short for Keep It Cool Kids) at this show, who also played at Lopstock and will join Gnaeus at The Emergency next month, so their talented unplugged sound should contrast nicely tomorrow! Though Gnaeus' Facebook page implies that the show was yesterday, the previously booked Bear Hunters concert actually took place last night, so either they played a Friday matinee that we missed, or that post was in error (K.I.C.K.'s Facebook page says it's tonight.) An 11:00 PM start time, 19+ age limit, and no cover charge are expected, so check the above links for more details, and we'll let you guys know when Gnaeus have videos to preview shows with!

Next up, we have some new videos from Sault Ontario grind label Blood Shed Productions' YouTube channel, starting with this clip of goregrind duo Rotopsy at a recent jam session(?) as they play their new original song "Shovel Packin'"! Probably most different with this song compared to older tracks is that singer Dylan Taylor uses some clean spoken word vocals during parts of the verses, though for the first half of the video, you can't see him due to the stationary camera angle, but it moves and shows more of the performance in the second half. Low quality video, but the audio works well enough, so grind fans should check out this new Rotopsy video below!



Also in new Blood Shed uploads, Rotopsy bassist/label owner Tyler "Ringsnaps" Gibson's cybergrind solo project Malignant Neoplasm released their first music video to the Blood Shed channel just last night! It's for the 45 second original song "Needle Aspiration Biopsy", which was filmed by Tyler's former T.E.N. bandmate Eric Weicker on a cell phone camera, and later edited using effects filters. Unlike the medical procedure themes of their songs, this is strictly a performance clip with Tyler singing and playing guitar throughout (presumably) his house, and while the song is an acquired taste, there's a good spirit and creativity to the work, and the video works for what it is! Check out the full Malignant Neoplasm video below!



Finally for today, here's three assorted shorter news items from the last while, all relating to acts related to Mike Haggith and/or Paperclip Productions! As usual, these are in alphabetical order by artist name:

  • In a Facebook page post on Tuesday to plug their set opening for Late & Loud at The Rockstar Bar on Friday, reunited local grunge/alternative quartet Haggith revealed that fans in attendance for their set "are in for a big surprise." What does that imply? Perhaps a surprise CD release, big band news, or maybe just an unexpected setlist addition? Be there to find out!
  • Speaking of Haggith, drummer Mike Haggith revealed on his solo Facebook page yesterday that he's apparently releasing a new live album of some sort named "Tweaky's Album: Absolute & Total Chaos" later this year. Interesting title, but it remains to be seen what it's contents are, or what formats it will be released on. If more comes out, we'll have it here!
  • On Wednesday, local doom/punk trio The Revolution (formerly the second Brutaly Fatal) revealed on their Facebook page that they'll begin recording their debut EP TODAY at PaperClip Productions! Further details on it's contents, name, and release formats will be revealed at a later date, but it's cool to see the guys getting the ball rolling on studio recordings this soon, and keep an eye out for possible updates on the sessions!

That's all for today, but stay tuned for more news and features this coming week! Thanks everyone!

Friday, July 25, 2014

Local Metal Video Showcase!!

We haven't done an all-video post without an attached new concert, preview, or debuting band in a while, and because we have a bunch in our cache, let's change that today! Four videos are featured below, all from Sault Ontario performances, including a recent public concert video, but most of these are from recent house party events. Now, here's what you need to know!

This past Monday, some of you may have been at (or previously heard about) a house party concert that local sludge metal trio AlgomA held and played at, but as it was a private event, we didn't plug it on here (for reference, this location is also the likely homebase for AlgomA collaborators 62nd Chamber Productions.) It seems like it was a solid show though, and you can see that for yourself now, as AlgomA bassist Marty Chase uploaded videos of the two out of town bands that headlined the gig onto his YouTube channel over the last few days! The headlining band was Edmonton crust punk/grindcore quartet Disabler, who were filmed playing two songs at the show, via this uniquely mounted camera angle from what appears to be a shelf near the ceiling of the room. Complete with lively crowd-surfing fans, this is an intense performance that crust fans will like, but the audio can be muffled at times. Looks like Disabler had fun, but check out the full video below to see for yourselves!



The other video from Monday night is of Vancouver/Yukon progressive death metal quartet Bushwhacker, also filmed from the same camera angle. Though not as mosh-inciting as Disabler proved to be, Bushwhacker sound like a promising technical band with a solid skill level, and they definitely seem to have made fans at this gig! Brutal in their own right, so check out Bushwhacker live in our area below!



Also today, here's another video from a house party event, specifically local goregrind solo project Crucify The Whore's second "Bloody Basement Jam" that they held in March, but only just uploaded to label Blood Shed Productions' YouTube channel this past weekend. A live performance of C.T.W.'s popular original "Bunk, Shake, and Headache", this was re-posted from an earlier upload for unknown reasons, and while it's a low quality video, the intensity and solid fan response is evident! Check it out below for some grind action, and if you have an invite, don't miss them at Das Bunkerfest!



Finally for today, local grunge/hardcore duo Bad Back are featured in one more new video from drummer Nathan Sauve's new YouTube channel, courtesy of their show last week opening for The Archaics at The New American Pub. Uploaded on Monday, this is actually of Nathan and singer/guitarist Jamie Vincent tearing down after their set, and while the title hints that they insult a local band in the video, it's not what you think, as they're just making self-deprecating comments about their own set that night. Whether in jest or not, they seemed to be in usual extreme form last week, but this is still a unique sort of video you don't see too often. Give it a look below, and stay tuned for more from Bad Back!



That's all for now, but stay tuned for some feature posts and more updates soon! Thanks everyone!